Lia Mice is a multidisciplinary artist whose works range from live performance, composition, instrument design, installations and interactive sculpture to academic papers. In her practice, Mice uses new technologies to explore relationships between the musical instrument and embodied performance.
Mice's latest album The Sampler As A Time Machine is out on Optimo Music. Her unique productions are the result of years of studio experimentation with technology old and new including analog samplers, Max/MSP, self-hacked instruments and 8-track tape. Mice's all-hardware live AV sets incorporate self-designed instruments and live voice sampling with dancers and live visuals. Her high energy DJ sets explore the weirder side of electro, tech-noir, acid and experimental-pop. She has guested on NTS and Rinse FM.
Mice is a recipient of numerous residencies: Innovative Instrument Design Duxianqin International Workshop at China Conservatory of Music, Estalagem Residency for Music and Electronics at Ponta Da Sol Madeira, Automation and Me at Leeds International Festival, and Goldsmiths Palermo Summer Intensive Performance Practices in Sicily. Her work has been exhibited and performed internationally at events and venues including Ars Electronica, The Tate Modern Tate Lates, The Barbican Archives Residency, The V & A Museum Digital Design Weekend and Museum of Arts and Design. As a researcher, Mice has presented her work at IRCAM Forum, Computer Music Interdisciplinary Research, and Technology in Music Performance. Mice is an advocate for accessible design and is herself partially sighted. Since moving to London in 2015 she has founded Studio A02, a shared recording studio space in Hackney Wick, and Electrolights AV, an experimental audio-visual dance party series.
"Under the bonnet with Lia Mice" - She makes sounds, October 2019